{"id":219,"date":"2011-11-23T16:23:10","date_gmt":"2011-11-23T16:23:10","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2011\/11\/23\/naslov4\/"},"modified":"2011-11-23T16:23:10","modified_gmt":"2011-11-23T16:23:10","slug":"naslov4","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov4\/","title":{"rendered":"naslovnica br.4"},"content":{"rendered":"\n\n\n
\n

<\/a><\/p>\n

 <\/p>\n

\n
\n\"adobe
\n<\/a>\n<\/p>\n

IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 3 (2014) broj 4<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna<\/strong><\/a>.<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 3, br. 4, 2014.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Divna Vuksanovi\u0107:<\/a><\/span><\/span><\/td>\nPitanje javnosti \u2013 pornografija suvremenih i novih medija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Fulvio \u0160uran:<\/a><\/span><\/td>\nMasmediji: glasogovornici znanstveno-tehnolo\u0161kog aparata<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dragan \u0106alovi\u0107:<\/a><\/span><\/td>\nFotografski albumi u funkciji gra\u0111enja popularnog mita<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jelena Maksimovi\u0107 i Zorica Stanisavljevi\u0107 Petrovi\u0107:<\/a><\/span><\/td>\nTeorijsko-metodolo\u0161ka zasnovanost istra\u017eivanja utjecaja medija na adolescente<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ivan Muhovec, Bo\u017eo Soldo, Matija Ore\u0161kovi\u0107 i Aleksej Aniskin:<\/a><\/span><\/td>\nRaspoznavanje starih graditeljskih obilje\u017eja i znakova<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Marko Stamenkovi\u0107:<\/a><\/span><\/td>\nPikselizirana revolucija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
\u017deljko Kru\u0161elj:<\/a><\/span><\/td>\nKontrolirane tiskovine vjerodostojnije od slobodnih: medijski apsurdi totalitarne, autokratske i demokratske Hrvatske <\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ivan Tanta i Gordana Lesinger:<\/a><\/span><\/td>\nEtika struke odnosa s javno\u0161\u0107u – utje\u010du li odnosi s javno\u0161\u0107u na novinarstvo u Republici Hrvatskoj?<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Mirko Jakovljevi\u0107:<\/a><\/span><\/td>\nPrincipi za primjenu osnovnih na\u010dela novinarskog kodeksa prilikom izvje\u0161tavanja o prometnim nesre\u0107ama sa smrtnim posljedicama<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Lejla Tur\u010dilo i Belma Buljuba\u0161i\u0107:<\/a><\/span><\/td>\nZemlja izvan EU i mediji bez EU: diskurs Bosanskohercegova\u010dkih medija o EU<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dejan Donev:<\/a><\/span><\/td>\nMjesto i zna\u010daj javnosti u analizi izvje\u0161tavanja medija o EU<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Tatjana Milivojevi\u0107 i Katarina Dragovi\u0107:<\/a><\/span><\/td>\nMedijska slika \u201elakog \u017eivota\u201c<\/strong><\/a><\/span><\/p>\n
 <\/div>\n

The Media Image of \u201cEffortles Life\u201d<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/div>\n

\n\"video32\"III Linkovi video izjave sudionika SIMPOZIJA FM Mediji i javnost Dubrovnik 2013 (studentima sveu\u010dili\u0161ta sjever).<\/span>\"video32\"<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

\n\u2013
\n<\/span>\n<\/td>\n
\nNenad Vertov\u0161ek
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMajda Tafra Vlahovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nDivna Vuksanovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nDubravka Vali\u0107 Nedeljkovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nIrena Mili\u010di\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nZdenko Duka
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMelita Pavlek
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMarko Stamenkovi\u0107<\/p>\n

<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n


\n\u2013
\n<\/span>\n<\/td>\n
\n
\n\u017deljko Rutovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSla\u0111ana Stamenkovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nKre\u0161imir \u010cvrljak
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nNikola Dedi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nBojan Blagojevi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nJadranka Bo\u017ei\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLivia Pavleti\u0107
\n<\/strong><\/a>
\n<\/span><\/p>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nFahira Fejzi\u0107 \u010cengi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nEmina Ke\u010do
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nIva Paska
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nJan Babnik
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMario Peri\u0161a
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMario Kolar
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nTrina Mjeda
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nPetar Miljkovi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nAnita Jeli\u010di\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nVesna Ivezi\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLejla Tur\u010dilo
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSead Ali\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLidija Duji\u0107
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSanja Doki\u0107 Mr\u0161a
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 3 (2014) broj 4   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.   ISSN 1848-6304 […]<\/p>\n","protected":false},"author":2,"featured_media":218,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[42],"tags":[332,338,345,330,347,287,325,341,326,154,340,329,339,307,349,337,344,351,352,334,324,331,350,342,348,335,323,343,333,300,328,353,336,346,327],"class_list":["post-219","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-4-naslovnica","tag-aleksej-aniskin","tag-autokratske-i-demokratske-hrvatske","tag-belma-buljubasic","tag-bozo-soldo","tag-dejan-donev","tag-divna-vuksanovic","tag-dragan-calovic","tag-etika-struke-odnosa-s-javnoscu-utjecu-li-odnosi-s-javnoscu-na-novinarstvo-u-republici-hrvatskoj","tag-fotografski-albumi-u-funkciji-gradenja-popularnog-mita","tag-fulvio-suran","tag-gordana-lesinger","tag-ivan-muhovec","tag-ivan-tanta","tag-jelena-maksimovic","tag-katarina-dragovic","tag-kontrolirane-tiskovine-vjerodostojnije-od-slobodnih-medijski-apsurdi-totalitarne","tag-lejla-turcilo","tag-lidija-dujic","tag-ludwig-bauer","tag-marko-stamenkovic","tag-masmediji-glasogovornici-znanstveno-tehnoloskog-aparata","tag-matija-oreskovic","tag-medijska-slika-lakog-zivota","tag-mirko-jakovljevic","tag-mjesto-i-znacaj-javnosti-u-analizi-izvjestavanja-medija-o-eu","tag-pikselizirana-revolucija","tag-pitanje-javnosti-pornografija-suvremenih-i-novih-medija","tag-principi-za-primjenu-osnovnih-nacela-novinarskog-kodeksa-prilikom-izvjestavanja-o-prometnim-nesrecama-sa-smrtnim-posljedicama","tag-raspoznavanje-starih-graditeljskih-obiljezja-i-znakova","tag-tatjana-milivojevic","tag-teorijsko-metodoloska-zasnovanost-istrazivanja-utjecaja-medija-na-adolescente","tag-zdravstveni-font-hrvatskog-kazalista","tag-zeljko-kruselj","tag-zemlja-izvan-eu-i-mediji-bez-eu-diskurs-bosanskohercegovackih-medija-o-eu","tag-zorica-stanisavljevic-petrovic","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.4 - 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\u010casopis centra za filozofiju medija\" \/>\n<meta property=\"article:published_time\" content=\"2011-11-23T16:23:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/centar-fm.org\/inmediasres\/wp-content\/uploads\/sites\/2\/2011\/11\/inmediasresno04ii.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"592\" \/>\n\t<meta property=\"og:image:height\" content=\"868\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Super User\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Super User\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/index.php\\\/naslov4\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/index.php\\\/naslov4\\\/\"},\"author\":{\"name\":\"Super User\",\"@id\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/#\\\/schema\\\/person\\\/ae49dcc23965665608f66120db8245a4\"},\"headline\":\"naslovnica br.4\",\"datePublished\":\"2011-11-23T16:23:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/index.php\\\/naslov4\\\/\"},\"wordCount\":462,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/index.php\\\/naslov4\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/centar-fm.org\\\/inmediasres\\\/wp-content\\\/uploads\\\/sites\\\/2\\\/2011\\\/11\\\/inmediasresno04ii.jpg\",\"keywords\":[\"Aleksej Aniskin\",\"autokratske i demokratske Hrvatske\",\"Belma Buljuba\u0161i\u0107\",\"Bo\u017eo Soldo\",\"Dejan Donev\",\"Divna Vuksanovi\u0107\",\"Dragan \u0106alovi\u0107\",\"Etika struke odnosa s javno\u0161\u0107u - 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