{"id":243,"date":"2011-11-23T16:23:10","date_gmt":"2011-11-23T16:23:10","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2011\/11\/23\/naslov5\/"},"modified":"2011-11-23T16:23:10","modified_gmt":"2011-11-23T16:23:10","slug":"naslov5","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov5\/","title":{"rendered":"naslovnica br.5"},"content":{"rendered":"\n\n\n
\n

<\/a><\/p>\n

 <\/p>\n

\n
\n\"adobe
\n<\/a>\n<\/p>\n

IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 3 (2014) broj 5<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna<\/strong><\/a>.<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 3, br. 5, 2014.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Jelena J. Rvovi\u0107:<\/a><\/span><\/span><\/td>\nNetaknuta doslovnost reklame<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Sla\u0111ana Stamenkovi\u0107 i Vesna Milenkovi\u0107:<\/a><\/span><\/td>\nNovinarstvo izme\u0111u slu\u017eenja javnosti i povla\u0111ivanja ukusu publike<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ljiljana Mani\u0107, Marija Aleksi\u0107 i Mileva Pavlovi\u0107:<\/a><\/span><\/td>\nSuvremena izlaga\u010dka praksa: nove tendencije u prikazivanju kulturnog naslije\u0111a<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Miomir Petrovi\u0107 i Ivana Ercegovac:<\/a><\/span><\/td>\nElipsa suvremenog \u010ditanja ili \u017eanrovske besmislice<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Sanja Doki\u0107 Mr\u0161a i Nata\u0161a Miljevi\u0107 Jovanovi\u0107:<\/a><\/span><\/td>\nPostavljanje dnevnog reda \u2013 bosanskohercegova\u010dka medijska agenda
\n<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Melita Pavlek:<\/a><\/span><\/td>\nKomunikacija u lokalnoj zajednici (primjer Koprivnice)<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Nata\u0161a Ru\u017ei\u0107:<\/a><\/span><\/td>\nUre\u0111iva\u010dka politika \u2013 klju\u010dni faktor pri izvje\u0161tavanju o europskim integracijama u crnogorskim tiskanim medijima<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Franjo Maleti\u0107:<\/a><\/span><\/td>\nInformacija je ponovo \u201ein\u201d <\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Trina Mjeda:<\/a><\/span><\/td>\nMedij kao medij (izme\u0111u brenda i \u010dovjeka)<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Aleksandra Bokan:<\/a><\/span><\/td>\nRecept za ljubav \u2013 od ljubi\u0107a do siteova za date \u2013 utjecaj emocija na kreiranje medija i vice versa<\/em><\/strong><\/a><\/span><\/p>\n
Jadranka Bo\u017ei\u0107:<\/a><\/span><\/td>\nUmjetnost, mediji i kapital<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Nikola Dedi\u0107:<\/a><\/span><\/td>\nTelevizija i javna sfera: funkcija realisti\u010dkog narativa u seriji The Wire<\/em><\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Vesna Ivezi\u0107:<\/a><\/span><\/td>\nEtika informiranja \u2013 primjer konstruiranja la\u017ene svijesti<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ana \u0110urkovi\u0107:<\/a><\/span><\/td>\nNadrealno kao istinito<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Sead Ali\u0107:<\/a><\/span><\/td>\nNi\u010deansko novinarstvo<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n

II Stru\u010dni i studentski radovi<\/span><\/p>\n\n\n\n\n\n\n
Zdenko Duka:<\/a><\/span><\/td>\nMediji i politika<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Nika \u017dganec i Nikola Jozi\u0107:<\/a><\/span><\/td>\nKorelacija izme\u0111u PR aktivnosti community managera na dru\u0161tvenim mre\u017eama i percepcije istih od strane <\/p>\n

korisnika dru\u0161tvenih mre\u017ea<\/strong><\/a><\/span><\/p>\n

\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n\"video32\"III Linkovi video izlaganja sa SIMPOZIJA FM 2013.<\/span>\"video32\"<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nOtvaranje Simpozija FILOZOFIJA MEDIJA (2013.) Mediji i javnost
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nDivna Vuksanovi\u0107: Pitanje javnosti \u2013 pornografija suvremenih i novih medija
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSead Ali\u0107: Ni\u010deansko novinarstvo
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nAnita Jeli\u010di\u0107: Utjecaj virtualnog vremena i prostora na dizajniranje javnosti
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nBojan Blagojevi\u0107: Mediji, javna sfera i politi\u010dko odlu\u010divanje: debata o mestu i uticaju religije
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLjiljana Pavlovi\u0107: Reklamni diskurs u hrvatskim medijima kao modus odr\u017eavanja dru\u0161tvenih stereotipa<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nDragan \u0106alovi\u0107: Fotografski albumi u funkciji gra\u0111enja popularnog mita<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nNenad Vertov\u0161ek: Javnost kao izgubljeno stado: proizvodnja pristanka i neophodne iluzije
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nDubravka Vali\u0107 Nedeljkovi\u0107: Javnost u doba multimedijske zavodljivosti<\/em>
Komentatori poruka na sadr\u017eaje onlajn medijskih portala u Srbiji: \u201cigra\u201d ili \u017eelja za stvarnom debatom<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMarko Stamenkovi\u0107: Pikselizirana revolucija<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nFahira Fejzi\u0107 \u010cengi\u0107: Transformacija novinarske informacije unutar njenog kognitivnog jezgra \u2013 zarad lak\u0161e manipulacije eterom
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\n\u017deljko Rutovi\u0107: Spektakl pseudovrijednosti – medijski monolog i nekriti\u010dka javnost<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nIrena Mili\u010di\u0107: Od Spu\u017eve Boba do FB defaulta: za nove strategije u recepciji medija<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nJan Babnik: Gledati iz daljave – videti od blizu<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nGordana Tkalec: \u017diva sila i tehnika medijske boji\u0161nice<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nZdenko Duka: Mediji i politika<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSla\u0111ana Stamenkovi\u0107, Vesna Milenkovi\u0107: Novinarstvo izme\u0111u slu\u017eenja javnosti i povla\u0111ivanja ukusu publike
\n<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nNikola Dedi\u0107: Televizija i javna sfera: funkcija realisti\u010dkog narativa u seriji The Wire<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nSanja Doki\u0107 Mr\u0161a, Nata\u0161a Miljevi\u0107 Jovanovi\u0107: Postavljanje dnevnog reda \u2013 bosanskohercegova\u010dka medijska agenda<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\n\u017deljko Kru\u0161elj: Kontrolirane tiskovine vjerodostojnije od slobodnih: medijski apsurdi totalitarne, autokratske i demokratske Hrvatske<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMelita Pavlek: Komunikacija u lokalnoj zajednici (primjer Koprivnice)<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nKre\u0161imir \u010cvrljak: Hrvatska filozofija renesanse u starijoj hrvatskoj periodici<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nMajda Tafra Vlahovi\u0107: Odnosi s javno\u0161\u0107u i odr\u017eiv posao<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nJosip Berdica: Propaganda kao izvor poslu\u0161nosti i pasivnosti<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nNata\u0161a \u0160kari\u010di\u0107: Korporativno i medicinsko novinarstvo \u2013 simulacija simulakruma<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLidija Duji\u0107, Ludwig Bauer: Zdravstveni font hrvatskog kazali\u0161ta<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n

\n\u2013
\n<\/span>\n<\/td>\n
\n
\nLivia Pavleti\u0107: Glazba – medij sapunastih emocija ili harmonije<\/strong><\/a>
\n<\/span>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 3 (2014) broj 5   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.   ISSN 1848-6304 […]<\/p>\n","protected":false},"author":2,"featured_media":242,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[45],"tags":[373,382,361,381,369,380,370,360,375,298,366,389,166,357,372,377,386,365,165,359,383,363,367,355,384,387,378,388,356,364,374,362,121,157,358,379,371,376,368,168,156,385],"class_list":["post-243","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-5-naslovnica","tag-aleksandra-bokan","tag-ana-durkovic","tag-elipsa-suvremenog-citanja-ili-zanrovske-besmislice","tag-etika-informiranja-primjer-konstruiranja-lazne-svijesti","tag-franjo-maletic","tag-funkcija-realistickog-narativa-u-seriji-the-wire","tag-informacija-je-ponovo-in","tag-ivana-ercegovac","tag-jadranka-bozic","tag-jelena-j-rvovic","tag-komunikacija-u-lokalnoj-zajednici-primjer-koprivnice","tag-korelacija-izmedu-pr-aktivnosti-community-managera-na-drustvenim-mrezama-i-percepcije-istih-od-strane-korisnika-drustvenih-mreza","tag-ljiljana-manic","tag-marija-aleksic","tag-medij-kao-medij-izmedu-brenda-i-covjeka","tag-mediji-i-kapital","tag-mediji-i-politika","tag-melita-pavlek","tag-mileva-pavlovic","tag-miomir-petrovic","tag-nadrealno-kao-istinito","tag-natasa-miljevic-jovanovic","tag-natasa-ruzic","tag-netaknuta-doslovnost-reklame","tag-niceansko-novinarstvo","tag-nika-zganec","tag-nikola-dedic","tag-nikola-jozic","tag-novinarstvo-izmedu-sluzenja-javnosti-i-povladivanja-ukusu-publike","tag-postavljanje-dnevnog-reda-bosanskohercegovacka-medijska-agenda","tag-recept-za-ljubav-od-ljubica-do-siteova-za-date-utjecaj-emocija-na-kreiranje-medija-i-vice-versa","tag-sanja-dokic-mrsa","tag-sead-alic","tag-sladana-stamenkovic","tag-suvremena-izlagacka-praksa-nove-tendencije-u-prikazivanju-kulturnog-naslijeda","tag-televizija-i-javna-sfera","tag-trina-mjeda","tag-umjetnost","tag-uredivacka-politika-kljucni-faktor-pri-izvjestavanju-o-europskim-integracijama-u-crnogorskim-tiskanim-medijima","tag-vesna-ivezic","tag-vesna-milenkovic","tag-zdenko-duka","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.5 - In Medias Res - \u010casopis centra za filozofiju medija<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov5\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"naslovnica br.5 - In Medias Res - \u010casopis centra za filozofiju medija\" \/>\n<meta property=\"og:description\" content=\"  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 3 (2014) broj 5   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.   ISSN 1848-6304 […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov5\/\" \/>\n<meta property=\"og:site_name\" content=\"In Medias Res - 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