{"id":308,"date":"2016-09-12T12:50:24","date_gmt":"2016-09-12T12:50:24","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2016\/09\/12\/naslov9\/"},"modified":"2016-09-12T12:50:24","modified_gmt":"2016-09-12T12:50:24","slug":"naslov9","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov9\/","title":{"rendered":"naslovnica br.9"},"content":{"rendered":"\n\n\n
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<\/a><\/p>\n

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\n
\n\"adobe
\n<\/a>\n<\/p>\n

IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 5 (2016) broj 9<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna<\/strong><\/a>.<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 5, br. 9, 2016.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Vlatko Ili\u0107:<\/a><\/span><\/span><\/td>\nO kreativnosti u vremenu medija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Divna Vuksanovi\u0107:<\/a><\/span><\/td>\nKreativnost i mediji: kreativne industrije kao projekt ad absurdum<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Mirko Jakovljevi\u0107:<\/a><\/span><\/td>\nKreativnost \u2013 opredjeljuju\u0107i faktor u radu televizijskog reportera<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Tijana Mandi\u0107, Irena Risti\u0107 i Bojana \u0160korc:<\/a><\/span><\/td>\nCreative Bonding and Human Computer Interaction<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Katarina \u0160maki\u0107:<\/a><\/span><\/td>\nDru\u0161tvene mre\u017ee i mladi: utjecaj opcije \u2018like\u2019 na kreativno pona\u0161anje mladih<\/p>\n

<\/strong><\/a><\/span><\/p>\n

\n
\n<\/div>\n<\/td>\n
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Fulvio \u0160uran:<\/a><\/span><\/td>\nBaze podataka kao oblik kulture. Utjecaj novih medija na umjetni\u010dko stvarala\u0161tvo: odnos s kinom<\/strong><\/a><\/span><\/p>\n
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\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jadranka Bo\u017ei\u0107:<\/a><\/span><\/td>\nNo\u0107 muzeja \u2013 inovacija, kreacija, edukacija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ana \u0110urkovi\u0107:<\/a><\/span><\/td>\nKratki film i kreativnost<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ivana Ukropina:<\/a><\/span><\/td>\nTeatar i marketing
\nDrama kao instrument profita<\/em><\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Branka Bari\u0107 i Antonija Jur\u010di\u0107:<\/a><\/span><\/td>\nKreativnost verbalnog i neverbalnog koda reklamnih poruka banaka koje posluju u Hrvatskoj<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Vesna Ivezi\u0107:<\/a><\/span><\/td>\nLica cenzure. Sloboda mi\u0161ljenja i kreativnost u uvjetima tr\u017ei\u0161no orijentiranog dru\u0161tva<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Neda Radulovi\u0107:<\/a><\/span><\/td>\nKoncept (globalnog) terorizma kao teorije zavjere u medijskom diskursu<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dragan \u0106alovi\u0107:<\/a><\/span><\/td>\nAnaliza umjetni\u010dke upotrebe medijskog diskursa na primjeru fotografskog ciklusa Women of Allah<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Sead Ali\u0107:<\/a><\/span><\/td>\nPjevanje vjere (O refleksivnoj i duhovnoj poeziji Enesa Ki\u0161evi\u0107a)<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n
 <\/div>\n

II STUDENTSKI RAD<\/span><\/p>\n\n\n\n\n\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Vasilija Antonijevi\u0107:<\/a><\/span><\/td>\nKreativni marketing
\nu filmu kao anticipacija propasti kinematografije<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 5 (2016) broj 9   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.   ISSN 1848-6304 […]<\/p>\n","protected":false},"author":2,"featured_media":307,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[57],"tags":[382,487,481,471,466,480,467,287,325,479,469,475,154,450,477,375,468,486,476,474,463,490,464,462,482,483,342,485,473,461,488,121,484,478,465,472,470,489,168,460],"class_list":["post-308","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-9-naslovnica","tag-ana-durkovic","tag-analiza-umjetnicke-upotrebe-medijskog-diskursa-na-primjeru-fotografskog-ciklusa-women-of-allah","tag-antonija-jurcic","tag-baze-podataka-kao-oblik-kulture","tag-bojana-skorc","tag-branka-baric","tag-creative-bonding-and-human-computer-interaction","tag-divna-vuksanovic","tag-dragan-calovic","tag-drama-kao-instrument-profita","tag-drustvene-mreze-i-mladi","tag-edukacija","tag-fulvio-suran","tag-irena-ristic","tag-ivana-ukropina","tag-jadranka-bozic","tag-katarina-smakic","tag-koncept-globalnog-terorizma-kao-teorije-zavjere-u-medijskom-diskursu","tag-kratki-film-i-kreativnost","tag-kreacija","tag-kreativne-industrije-kao-projekt-ad-absurdum","tag-kreativni-marketing-u-filmu-kao-anticipacija-propasti-kinematografije","tag-kreativnost-opredjeljujuci-faktor-u-radu-televizijskog-reportera","tag-kreativnost-i-mediji","tag-kreativnost-verbalnog-i-neverbalnog-koda-reklamnih-poruka-banaka-koje-posluju-u-hrvatskoj","tag-lica-cenzure","tag-mirko-jakovljevic","tag-neda-radulovic","tag-noc-muzeja-inovacija","tag-o-kreativnosti-u-vremenu-medija","tag-pjevanje-vjere-o-refleksivnoj-i-duhovnoj-poeziji-enesa-kisevica","tag-sead-alic","tag-sloboda-misljenja-i-kreativnost-u-uvjetima-trzisno-orijentiranog-drustva","tag-teatar-i-marketing","tag-tijana-mandic","tag-utjecaj-novih-medija-na-umjetnicko-stvaralastvo-odnos-s-kinom","tag-utjecaj-opcije-like-na-kreativno-ponasanje-mladih","tag-vasilija-antonijevic","tag-vesna-ivezic","tag-vlatko-ilic","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.9 - 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