{"id":324,"date":"2018-05-25T12:56:07","date_gmt":"2018-05-25T12:56:07","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2018\/05\/25\/naslov12\/"},"modified":"2018-05-25T12:56:07","modified_gmt":"2018-05-25T12:56:07","slug":"naslov12","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov12\/","title":{"rendered":"naslovnica br.12"},"content":{"rendered":"\n\n\n
\n

<\/a><\/p>\n

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\n
\n\"adobe
\n<\/a>\n<\/p>\n

IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 7 (2018) broj 12<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n

\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 7, br. 12, 2018.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Lino Veljak:<\/a><\/span><\/span><\/td>\nZastarjelost istine?<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Tanja Todorovi\u0107:<\/a><\/span><\/td>\nKritika ili afirmacija realnosti?<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Divna Vuksanovi\u0107:<\/a><\/span><\/td>\nFilozofija medija: je li nasilje zabavno?<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Edita Hercigonja-Mik\u0161ik:<\/a><\/span><\/td>\nOdrazi protuljudske zbilje<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jure Vuji\u0107:<\/a><\/span><\/td>\nEpistemolo\u0161ke matrice suvremene vizualne kulture, uvod u zapadnoskopiju<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Suzana Marjani\u0107:<\/a><\/span><\/td>\nMediji i\/ili sveto trojstvo \u2013 tra\u010d, rat i teorije zavjere ili \u201cNa Zapadu ni\u0161ta novo\u201d<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Krunoslav Lu\u010di\u0107:<\/a><\/span><\/td>\nKognitivni temelji razumijevanja
\nfilmskoga stila <\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Fulvio \u0160uran:<\/a><\/span><\/td>\nThaumazein: na izvoru filozofije i glazbe<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Veljko \u017dvan:<\/a><\/span><\/td>\nKnausgard i nova smrt simboli\u010dkog<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Senad Nani\u0107:<\/a><\/span><\/td>\nGrad kao medij<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Artur \u0160ili\u0107 i Slobodan Had\u017ei\u0107:<\/a><\/span><\/td>\nNovi analiti\u010dki modeli za utvr\u0111ivanje standarda razumljivosti medijskog teksta u medijima masovnog komuniciranja<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 7 (2018) broj 12   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.     ISSN […]<\/p>\n","protected":false},"author":2,"featured_media":323,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[66],"tags":[557,287,543,546,542,154,556,545,554,552,541,551,216,549,558,544,550,555,548,540,553,547,133,539],"class_list":["post-324","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-12-naslovnica","tag-artur-silic-i-slobodan-hadzic","tag-divna-vuksanovic","tag-edita-hercigonja-miksik","tag-epistemoloske-matrice-suvremene-vizualne-kulture","tag-filozofija-medija-je-li-nasilje-zabavno","tag-fulvio-suran","tag-grad-kao-medij","tag-jure-vujic","tag-knausgard-i-nova-smrt-simbolickog","tag-kognitivni-temelji-razumijevanja-filmskoga-stila","tag-kritika-ili-afirmacija-realnosti","tag-krunoslav-lucic","tag-lino-veljak","tag-mediji-i-ili-sveto-trojstvo-trac","tag-novi-analiticki-modeli-za-utvrdivanje-standarda-razumljivosti-medijskog-teksta-u-medijima-masovnog-komuniciranja","tag-odrazi-protuljudske-zbilje","tag-rat-i-teorije-zavjere-ili-na-zapadu-nista-novo","tag-senad-nanic","tag-suzana-marjanic","tag-tanja-todorovic","tag-thaumazein-na-izvoru-filozofije-i-glazbe","tag-uvod-u-zapadnoskopiju","tag-veljko-zvan","tag-zastarjelost-istine","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.12 - 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