{"id":342,"date":"2019-09-09T18:19:05","date_gmt":"2019-09-09T18:19:05","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2019\/09\/09\/naslov15\/"},"modified":"2019-09-09T18:19:05","modified_gmt":"2019-09-09T18:19:05","slug":"naslov15","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov15\/","title":{"rendered":"naslovnica br.15"},"content":{"rendered":"\n\n\n
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\n\"adobe
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IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 8 (2019) broj 15<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n

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ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 8, br. 15, 2019.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Jure Vuji\u0107:<\/a><\/span><\/span><\/td>\nGeopolitics of Numerical Space and the Rule of Algorithms<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dario Terzi\u0107:<\/a><\/span><\/td>\nInterprating Chromatic Codes through the Ages and in Different Modern Social Contexts<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Iva Paska:<\/a><\/span><\/td>\nDigital Media Environments and their Implications: Instagram<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Veljko \u017dvan:<\/a><\/span><\/td>\nElectronic Media and Critical Thinking<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Fulvio \u0160uran:<\/a><\/span><\/td>\nQuo Vadis Digitalis Homine? Digital Philosophy and the Universe<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Glorija Mavrinac:<\/a><\/span><\/td>\nThe Westernization and Colonization of the African Mind through the Media<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Silva Kal\u010di\u0107:<\/a><\/span><\/td>\nReferencijalni simbolizam i semioti\u010dki aspekt djela umjetnosti i dizajna<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
\u017deljka Bagari\u0107 i Antonija Mandi\u0107:<\/a><\/span><\/td>\nIstina, mediji i \u017eilet-\u017eica: migranti u hrvatskom medijskom krajoliku<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Marko Grba:<\/a><\/span><\/td>\nFilozofski, fizi\u010dki i medijski elektron<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jadranka Polovi\u0107:<\/a><\/span><\/td>\n\u201dLa\u017ene vijesti\u201d kao politi\u010dki alat sistemske krize liberalne demokracije i korporativnih medija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n
 <\/div>\n

II ESEJ<\/span><\/p>\n\n\n\n\n\n
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\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Tihoni Br\u010di\u0107:<\/a><\/span><\/td>\nInteraktivni film: Odgovor na pasivnost medija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 8 (2019) broj 15   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.     ISSN […]<\/p>\n","protected":false},"author":2,"featured_media":341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[76],"tags":[624,617,607,610,611,621,622,154,606,613,626,608,618,609,623,545,620,619,612,615,559,614,625,133,616],"class_list":["post-342","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-15-naslovnica","tag-lazne-vijesti-kao-politicki-alat-sistemske-krize-liberalne-demokracije-i-korporativnih-medija","tag-antonija-mandic","tag-dario-terzic","tag-digital-media-environments-and-their-implications-instagram","tag-electronic-media-and-critical-thinking","tag-filozofski","tag-fizicki-i-medijski-elektron","tag-fulvio-suran","tag-geopolitics-of-numerical-space-and-the-rule-of-algorithms","tag-glorija-mavrinac","tag-interaktivni-film-odgovor-na-pasivnost-medija","tag-interprating-chromatic-codes-through-the-ages-and-in-different-modern-social-contexts","tag-istina","tag-iva-paska","tag-jadranka-polovic","tag-jure-vujic","tag-marko-grba","tag-mediji-i-zilet-zica-migranti-u-hrvatskom-medijskom-krajoliku","tag-quo-vadis-digitalis-homine-digital-philosophy-and-the-universe","tag-referencijalni-simbolizam-i-semioticki-aspekt-djela-umjetnosti-i-dizajna","tag-silva-kalcic","tag-the-westernization-and-colonization-of-the-african-mind-through-the-media","tag-tihoni-brcic","tag-veljko-zvan","tag-zeljka-bagaric","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.15 - 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