{"id":397,"date":"2021-09-13T18:17:31","date_gmt":"2021-09-13T18:17:31","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2021\/09\/13\/naslov19\/"},"modified":"2021-09-13T18:17:31","modified_gmt":"2021-09-13T18:17:31","slug":"naslov19","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslov19\/","title":{"rendered":"naslovnica br.19"},"content":{"rendered":"\n\n\n
\n

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\n
\n\"adobe
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IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 10 (2021) broj 19<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n

\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

DOI 10.46640\/imr<\/a><\/strong><\/p>\n

Vol 10, br. 19, 2021.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Kre\u0161imir Paveli\u0107:<\/a><\/span><\/span><\/td>\nDana\u0161nji mediji: problemi i manipulacije<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Ljiljana Lj. Bulatovi\u0107 i Goran Bulatovi\u0107:<\/a><\/span><\/td>\nMedia Frames of COVID-19 Pandemic<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Marko Grba:<\/a><\/span><\/td>\nWhat Cost Scientific Illiteracy in Time of Global Pandemic?<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
\u017deljko Rutovi\u0107:<\/a><\/span><\/td>\nMedijska prodaja straha<\/p>\n

(COVID 19 \u2013 INFODEMIJA \u2013 SOCIOLOGIJA PROMJENE)<\/strong><\/a><\/span><\/p>\n

\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Fahira Fejzi\u0107-\u010cengi\u0107:<\/a><\/span><\/td>\nMedijsko pra\u0107enje pona\u0161anja religijskih hijerarhija u doba epidemije<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jure Vuji\u0107:<\/a><\/span><\/td>\nSimulacija kolektivne tjeskobe i medijske
\nfobo\u2013strategije politike straha<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Vesna Ivezi\u0107:<\/a><\/span><\/td>\nStrah od smrti i te\u017enja ka besmrtnosti – vje\u010dne paradigme \u010dovjekovog suo\u010davanja sa smr\u0107u<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Jelena Had\u017ei\u0107 and Marina Barali\u0107:<\/a><\/span><\/td>\nHumor in the Time of the COVID-19 Pandemic<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Suzana Marjani\u0107:<\/a><\/span><\/td>\nDisimulacije maske blizana\u010dkih pandemijskih godina 2020-2021.: izvedba, za\u0161tita i subverzija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Amela Deli\u0107 i Selma Begi\u0107:<\/a><\/span><\/td>\nOd rije\u010di do \u017eice: Targetiranje migranata i izbjeglica kao izvora i prijenosnika zaraze COVID-19 bolesti<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Gordana Tkalec i Samanta Kocijan:<\/a><\/span><\/td>\nIntertekstualnost i intermedijalnost internetskih medijskih sadr\u017eaja o virusu COVID-19<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dario Terzi\u0107:<\/a><\/span><\/td>\nEpidemije: poruke, vrijednosti i ideologije u suvremenom filmu<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n
 <\/div>\n

II<\/span><\/p>\n\n\n\n\n\n\n\n\n\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Mateja Plenkovi\u0107:<\/a><\/span><\/td>\nPrisutnost populizma na hrvatskim dnevnoinformativnim portalima<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dorian Sabo i Josip Berdica:<\/a><\/span><\/td>\nPravo i film<\/p>\n

Ogled o pravnoj kulturi<\/strong><\/a><\/span><\/p>\n

\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Vjekoslav Sekirica i Tanja Grmu\u0161a:<\/a><\/span><\/td>\nUloga informacije u suvremenoj medijskoj komunikaciji<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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