{"id":438,"date":"2023-05-17T18:38:09","date_gmt":"2023-05-17T18:38:09","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2023\/05\/17\/halima-sofradzija-u-novo-stoljece-bez-kompasa\/"},"modified":"2023-05-17T18:38:09","modified_gmt":"2023-05-17T18:38:09","slug":"halima-sofradzija-u-novo-stoljece-bez-kompasa","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/halima-sofradzija-u-novo-stoljece-bez-kompasa\/","title":{"rendered":"Halima Sofrad\u017eija: U novo stolje\u0107e bez kompasa"},"content":{"rendered":"

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III PRIKAZI KNJIGE<\/p>\n\n\n\n
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\n  12(22)#12 2023 <\/strong> <\/p>\n<\/td>\n

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\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n

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Halima Sofrad\u017eija<\/span><\/p>\n

Fakultet politi\u010dkih nauka, Odsjek sociologije, Sveu\u010dili\u0161te u Sarajevu, Bosna i Hercegovina
\nhalima.sofradzija@fpn.unsa.ba<\/p>\n

U novo stolje\u0107e bez kompasa<\/span><\/strong><\/p>\n

Prikaz knjige: \u017dIVOT JE VE\u0106I OD SVAKE OBMANE
\n(Eseji o dru\u0161tvu i medijima) autorice Fahire Fejzi\u0107 \u010cengi\u0107<\/span><\/strong><\/p>\n


\nPuni tekst: pdf (207 KB), Hrvatski, Str. 3773 – 3774
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Eseji sklopljeni u korice ove knjige, nesumnjivo tra\u017ee naro\u010dito anga\u017eiranog \u010ditaoca, koji \u0107e prepoznati vrijednost odva\u017enosti izricanja u oskudnom vremenu, bremenitom nebrojenim napregnutostima, dilemama, nejasno\u0107ama, tihim (neki bi rekli posvema\u0161njim) nestankom samorazumljivosti onoga \u0161to nazivamo \u017eivotom (transhumanizam, kiborgizacija, epigenetika..), dodirivanjem krajnosti postmodernog doba, napokon, “brigovanjem”, heideggerijanski re\u010deno, a koji sasvim sigurno neupitno obilje\u017eavaju svijet u kojem \u017eivimo.<\/p>\n

Svi tekstovi u ovoj knjizi, naslovljenoj \u017divot je ve\u0107i od svake obmane<\/em><\/strong> u \u0161irokom obuhvatu raznorodnih, vi\u0161e nego aktualnih tema o kojima ve\u0107 postaje obavezom govoriti, me\u0111usobno su mnogostruko, vidljivo i nevidljivo, vi\u0161erazinski umre\u017eeni kao “platforma od struna”, gdje je svaki tekst sam po sebi, po svojoj sadr\u017eajnosti, svojevrsna zna\u010dajna smjernica za nove spoznaje i putokaze, ali istovremeno, u kona\u010dnici, primjetno svi obuhva\u0107eni eseji tematski neosporno imaju prepoznatljivu konsonantnost, daju\u0107i nesumnjivo vrijednu cjelinu \u2013 knjigu, koja je pred nama s namjerom da na poseban na\u010din svjedo\u010di o trajnoj ljudskoj plemenitoj potrebi da se ovaj nikad dohvatljivi i trajno zagonetni svijet promi\u0161lja u svim prilikama i svim vremenima, o \u010demu autorica Fahira Fejzi\u0107 \u010cengi\u0107 govori ve\u0107 na prvim stranicama ove knjige. Sudbinski je svako pero ozbiljnog pisca u usudnom traganju za sna\u017enim, dubokim izrazom, su\u0161tinom i spoznajama koje \u0107e se “dovesti do rije\u010di”, u potrazi za savr\u0161enim jezikom<\/em>, o kojem je svojevremeno govorio Umberto Ecco, jer se tako misao dovodi u prisutnost, u \u017eivot<\/em> \u2013 to nastojanje prepoznatljivo je ovdje svakom ispisanom re\u010denicom, osna\u017eeno brojnim teorijskim izvorima, svakom poredbom i primjerom, u nakani da se zahvati, raskrili, otvori razumijevanju upravo svako osvijetljeno pitanje, a brojna su, koja se bave temeljnim problemima na\u0161e savremenosti.<\/p>\n

Izgleda da smo ve\u0107 odavno zakora\u010dili u svijet “gdje nam stare mape ne\u0107e biti od koristi” (Nesh), sa nagovje\u0161tajima novih, dubokih, neprestanih transformacija koje kontinuirano i ubrzano zahvataju postmoderni svijet, \u0161to nam autorica Fejzi\u0107 \u010cengi\u0107 dodatno pribli\u017eava u razumijevanju slo\u017eene novostvarnosti, u okviru naslova Uplovili smo u novi vijek bez kompasa, <\/em>gdje analizira krizu postmoderne i njene prezentacije u savremenim masmedijima.\u00a0 Treba re\u0107i da autorica u ovim propitivanjima podsje\u0107a na Urlicha Becka i njegovo razumijevanje savremenog dru\u0161tva kao dru\u0161tva rizika, te Amina Maloufa kao autora metafore o modernosti kao svojevrsnoj poreme\u0107enosti svijeta, jer oba ova mislioca, svaki na svoj na\u010din,\u00a0 sna\u017eno pozicioniraju ulogu masmedija i njihovih medijskih mo\u0107i u modernim dru\u0161tvima.<\/em><\/p>\n

Autorica nas kroz nastavak svojih promi\u0161ljanja i analiza te zna\u010dajnih sinteza korak po korak i s pa\u017enjom\u00a0 privodi spoznaji da Stvarnost sve vi\u0161e postaje medijski konstrukt, svojevrsni poduhvat stvaranja konstrukcije novih svjetova (pojavljujemo kao “korisnici” stvarnosti koja ima beskrajno razli\u010dite medijske interpretacije): “Neosporno je ulogu nekada\u0161nje neposrednosti, direktnosti, izravnosti, susretanjima, ljepoti \u017eivljenja preuzela ogromna i rasprostranjena medijska ma\u0161inerija, taj nevjerovatni instrumentarij koji je gra\u0111en posljednjih dvadeset godina intenzivno a prethodnih stotinjak postupnije, postao je nezamjenjiv posrednik, spojnica, instrumentarij ili globalni medij koji je zamijenio stvarnost. Stvarne empirijske, iskustvene i uobi\u010dajene sekunde, minute, sate i dane \u017eivljenja, ku\u0161anja i postojanja nadomje\u0161tali su isposredovani, medijatizirani u\u010dinci me\u0111u ljudima. \u010cinili su to naj\u010de\u0161\u0107e uz pomo\u0107 svog glavnog elementa, pomo\u0107u ekrana”.<\/p>\n

Na tom \u010darobnom \u010detverouglu smje\u0161tene su tolikobrojnei izazovne, a po\u010desto manipulativne i zavodljive one slike pretakanja, pretvaranja i pervertiranja mogu\u0107nosti kako ih Ugre\u0161i\u0107ka u knjizi Karaoke kultura definira, dakle o\u010ditim mogu\u0107nostima transformacije, metamorfoze i teleportacije u ne\u0161to drugo ili nekoga drugoga puno su zanimljivije od rovanja po jastvu, \u0161to (p)ostaje nezamisliva zada\u0107a ove kulture ekrana, svijeta slike i nadrealizma pretvaranja. O ovome govori\u00a0 rukopis autorice Fahire Fejzi\u0107 \u010cengi\u0107, odmaknut od bilo kakve prizemne ili prolazne kritike bez smisla, jer svaki put ova kritika stopljena je s pozivom na povratak etici javne rije\u010di, moralu javnog djelovanja i argumentiranja, \u010dasnom profesionalnom informativnom i komunikacijskom djelovanju gdje god su \u010dinjenice, istina, dobrota i ljepota svijeta posrijedi. <\/p>\n

Stoga je ovaj rukopis ne samo va\u017ean profesionalnim djelatnicima u javnom prostoru u medijskoj ma\u0161ineriji ve\u0107 neizostavnoj u svekodnevnici, studentima, akademskoj zajednici jednako tako i \u0161iroj publici koja sve tje\u0161nje mora poznavati medijske mogu\u0107nosti,\u00a0 medijsku kulturu, medijsko pojavljivanje i djelatnost, medijska zastranjivanja i marketin\u0161ke trikove koju nam dromolo\u0161ki (preubrzano) promi\u010du pred umom i o\u010dima\u00a0 – a \u017eivot je potrebno dostojanstveno jednostavno \u017eivjeti.<\/p>\n","protected":false},"excerpt":{"rendered":"

    III PRIKAZI KNJIGE  12(22)#12 2023 \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.     Halima Sofrad\u017eija Fakultet politi\u010dkih nauka, Odsjek sociologije, Sveu\u010dili\u0161te u Sarajevu, Bosna i Hercegovina halima.sofradzija@fpn.unsa.ba U novo stolje\u0107e bez kompasa Prikaz knjige: \u017dIVOT JE VE\u0106I OD SVAKE OBMANE (Eseji […]<\/p>\n","protected":false},"author":2,"featured_media":427,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[103],"tags":[162,805],"class_list":["post-438","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-22-vlasiti-url","tag-halima-sofradzija","tag-u-novo-stoljece-bez-kompasa","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nHalima Sofrad\u017eija: U novo stolje\u0107e bez kompasa - 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