{"id":443,"date":"2023-05-17T20:01:12","date_gmt":"2023-05-17T20:01:12","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2023\/05\/17\/naslovnica-br-22\/"},"modified":"2023-05-17T20:01:12","modified_gmt":"2023-05-17T20:01:12","slug":"naslovnica-br-22","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslovnica-br-22\/","title":{"rendered":"naslovnica br.22"},"content":{"rendered":"<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"370\">\n<p><a href=\"index.php\/in-medias-res-broj22\"><\/a><\/p>\n<p style=\"text-align: center;\">&nbsp;<\/p>\n<p style=\"line-height: 170%; text-align: center;\">\n<a href=\"http:\/\/www.centar-fm.org\/inmediasres\/images\/pdf\/22\/cijeli casopis inmediasres22hrv.pdf\"><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-108\" alt=\"adobe pdf_icon\" src=\"https:\/\/centar-fm.org\/inmediasres\/wp-content\/uploads\/sites\/2\/2011\/11\/adobe_pdf_icon.png\" width=\"55\" height=\"52\" title=\"InMediasRes\" onmouseout=\"this.src='https:\/\/centar-fm.org\/inmediasres\/wp-content\/uploads\/sites\/2\/2011\/11\/adobe_pdf_icon.png';\" onmouseover=\"this.src='images\/casopisi\/adobe_pdf_iconbles.png';\" \/><br \/>\n<\/a>\n<\/p>\n<p style=\"line-height: 170%; text-align: center;\"><strong>IN MEDIAS RES <\/strong><br \/> \u010dasopis filozofije medija <\/p>\n<p class=\"MsoNormal\" style=\"line-height: 50%;\">&nbsp;<\/p>\n<p style=\"line-height: 170%; text-align: center;\">Izdava\u010d \u010dasopisa:<br \/> Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n<p class=\"MsoNormal\" style=\"line-height: 50%;\">&nbsp;<\/p>\n<p style=\"line-height: 170%; text-align: center;\">Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n<p class=\"MsoNormal\" style=\"line-height: 50%;\">&nbsp;<\/p>\n<p style=\"line-height: 170%; text-align: center;\">\nE-mail: inmediasres@centar-fm.org<\/p>\n<p class=\"MsoNormal\" style=\"line-height: 50%;\">&nbsp;<\/p>\n<p style=\"line-height: 170%; text-align: center;\">\nGODINA 12 (2023) broj 22<\/p>\n<p style=\"line-height: 100%; text-align: center;\">&nbsp;<\/p>\n<hr \/>\n<p style=\"line-height: 170%; text-align: center;\">\n<a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><img decoding=\"async\" alt=\"Creative Commons licenca\" style=\"border-width:0\" src=\"https:\/\/i.creativecommons.org\/l\/by-nc\/4.0\/88x31.png\" \/><\/a><br \/>\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom <a rel=\"license\" href=\"http:\/\/creativecommons.org\/licenses\/by-nc\/4.0\/\"><strong>Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n<td valign=\"top\" width=\"20\">\n<p style=\"line-height: 100%; text-align: center;\">&nbsp;<\/p>\n<\/td>\n<td valign=\"top\" width=\"20\">\n<p style=\"line-height: 100%; text-align: center;\">&nbsp;<\/p>\n<\/td>\n<td valign=\"top\">\n<p style=\"line-height: 200%;\"><strong>ISSN 1848-6304<\/strong><\/p>\n<p style=\"line-height: 200%;\"><strong>UDK 316.774:1<\/strong><\/p>\n<p style=\"line-height: 200%;\"><strong>Vol 12, br. 22, 2023.<\/strong><\/p>\n<p style=\"line-height: 200%;\"><strong><em>Sadr\u017eaj<\/em><\/strong><\/p>\n<p style=\"text-align: center; line-height: 50%;\" align=\"center\">&nbsp;<\/p>\n<table style=\"background-color: #eceff2;\" border=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"110\"><span style=\"color: #000000;\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres_eng\/index.php\/mihai-bacaran-the-problematic-of-embodiment-in-online-specta-c-torship\">Mihai B\u0103c\u0103ran:<\/a><\/span><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres_eng\/index.php\/mihai-bacaran-the-problematic-of-embodiment-in-online-specta-c-torship\"><strong>The Problematic of Embodiment in Online Specta(c)torship<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres_eng\/index.php\/mihai-bacaran-the-problematic-of-embodiment-in-online-specta-c-torship\"><strong>Problematika utjelovljenja u online gleda(c)torstvu<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-psihopatija-operativni-sustav-politicke-pozornice-digitalne-kulture\">Leo Katunari\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-psihopatija-operativni-sustav-politicke-pozornice-digitalne-kulture\"><strong>Psihopatija \u2013 operativni sustav politi\u010dke pozornice digitalne kulture<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-psihopatija-operativni-sustav-politicke-pozornice-digitalne-kulture\"><strong>Psychopathy \u2013 the Operating System of the Political Stage of Digital Culture<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-telling-lies-naziv-je-preuzet-iz-istoimene-pjesme-david-bowie-album-earthling-1997\">Josipa Buba\u0161:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-telling-lies-naziv-je-preuzet-iz-istoimene-pjesme-david-bowie-album-earthling-1997\"><strong>TELLING LIES<br \/>\n(naziv je preuzet iz istoimene pjesme \u2013 David Bowie, album Earthling, 1997.)<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-telling-lies-naziv-je-preuzet-iz-istoimene-pjesme-david-bowie-album-earthling-1997\"><strong>TELLING LIES<br \/>\n(the name is taken from the song of the same name \u2013 David Bowie, album Earthling, 1997.)<br \/>\n<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/tahani-komarica-fenomenologija-digitalne-srece\">Tahani Komarica:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/tahani-komarica-fenomenologija-digitalne-srece\"><strong>Fenomenologija digitalne sre\u0107e<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/tahani-komarica-fenomenologija-digitalne-srece\"><strong>Phenomenology of Digital Happiness<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-tijelo-i-metafora-mreze\">Josipa Buba\u0161:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-tijelo-i-metafora-mreze\"><strong>Tijelo i metafora mre\u017ee<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/josipa-bubas-tijelo-i-metafora-mreze\"><strong>The Body and the Network Metaphor<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/antonio-batini-i-bernard-spoljaric-mogucnosti-i-granice-multimedija-kao-pojmovnog-jezika\">Antonio Batini i Bernard \u0160poljari\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/antonio-batini-i-bernard-spoljaric-mogucnosti-i-granice-multimedija-kao-pojmovnog-jezika\"><strong>Mogu\u0107nosti i granice multimedija kao pojmovnog jezika<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/antonio-batini-i-bernard-spoljaric-mogucnosti-i-granice-multimedija-kao-pojmovnog-jezika\"><strong>Possibilities and Limits of Multimedia as a Conceptual Language<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/edib-ahmetasevic-strategijske-dileme-kulturne-politike-sustava-audiovizualne-djelatnosti-u-republici-hrvatskoj\">Edib Ahmeta\u0161evi\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/edib-ahmetasevic-strategijske-dileme-kulturne-politike-sustava-audiovizualne-djelatnosti-u-republici-hrvatskoj\"><strong>Strategijske dileme kulturne politike sustava audiovizualne djelatnosti u Republici Hrvatskoj<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/edib-ahmetasevic-strategijske-dileme-kulturne-politike-sustava-audiovizualne-djelatnosti-u-republici-hrvatskoj\"><strong>Strategic dilemmas of Cultural Policy the System of Audiovisual Activity in Republic of Croatia<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/darko-kovacic-senzorij-mcluhanus\">Darko Kova\u010di\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/darko-kovacic-senzorij-mcluhanus\"><strong>Senzorij McLuhanus<br \/>\n<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/darko-kovacic-senzorij-mcluhanus\"><strong>Sensorium McLuhanus<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-brisanje-kao-jezik-uspostave-post-humane-kulture-izbrisano-u-muzeju-suvremene-umjetnosti-zagreb-2022\">Leo Katunari\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-brisanje-kao-jezik-uspostave-post-humane-kulture-izbrisano-u-muzeju-suvremene-umjetnosti-zagreb-2022\"><strong>Brisanje kao jezik uspostave post-humane kulture<br \/> <br \/>\n(<em>Izbrisano<\/em> u Muzeju suvremene umjetnosti Zagreb 2022.)<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/leo-katunaric-brisanje-kao-jezik-uspostave-post-humane-kulture-izbrisano-u-muzeju-suvremene-umjetnosti-zagreb-2022\"><strong>Erasure as the Language of the Establishment of Post-human Culture<br \/>\n(<em>Deleted <\/em>in the Museum of Contemporary Art Zagreb in 2022)<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/kresimir-katusic-prostor-aktivne-imaginacije-intuicije\">Kre\u0161imir Katu\u0161i\u0107:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/kresimir-katusic-prostor-aktivne-imaginacije-intuicije\"><strong>Prostor aktivne imaginacije\/intuicije<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/kresimir-katusic-prostor-aktivne-imaginacije-intuicije\"><strong>A Space of Active Imagination\/Intuition<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"height: 6px; overflow:hidden;\">&nbsp;<\/div>\n<div style=\"height: 6px; overflow:hidden;\">&nbsp;<\/div>\n<p style=\"line-height: 150%;\"><span style=\"text-decoration: underline;\">II FILOZOF I NJEGOVA DJELA<\/span><\/p>\n<table style=\"background-color: #eceff2;\" border=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/predrag-finci-o-mojim-estetickim-stajalistima\">Predrag Finci:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/predrag-finci-o-mojim-estetickim-stajalistima\"><strong>O mojim esteti\u010dkim stajali\u0161tima<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/predrag-finci-o-mojim-estetickim-stajalistima\"><strong>About my Aesthetic views<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"height: 6px; overflow:hidden;\">&nbsp;<\/div>\n<div style=\"height: 6px; overflow:hidden;\">&nbsp;<\/div>\n<p style=\"line-height: 150%;\"><span style=\"text-decoration: underline;\">III PRIKAZI KNJIGE<\/span><\/p>\n<table style=\"background-color: #eceff2;\" border=\"0\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/halima-sofradzija-u-novo-stoljece-bez-kompasa\">Halima Sofrad\u017eija:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/halima-sofradzija-u-novo-stoljece-bez-kompasa\"><strong>U novo stolje\u0107e bez kompasa<br \/>\nPrikaz knjige: \u017dIVOT JE VE\u0106I OD SVAKE OBMANE<br \/>\n(Eseji o dru\u0161tvu i medijima) autorice Fahire Fejzi\u0107 \u010cengi\u0107<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=http:\/\/www.centar-fm.org\/inmediasres\/index.php\/halima-sofradzija-u-novo-stoljece-bez-kompasa\"><strong><\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/amina-vatres-masovni-mediji-ili-izoblicena-ogledala-stvarnosti-povratak-imperativu-etike-odgovornosti\">Amina Vatre\u0161:<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/amina-vatres-masovni-mediji-ili-izoblicena-ogledala-stvarnosti-povratak-imperativu-etike-odgovornosti\"><strong>Masovni mediji ili izobli\u010dena ogledala stvarnosti: Povratak imperativu etike odgovornosti<\/p>\n<p>Prikaz knjige: \u201cESEJI O DRU\u0160TVU I MEDIJIMA \u2013 \u017divot je ve\u0107i od svake obmane\u201d (Sarajevo: Fakultet politi\u010dkih nauka, Univerzitet u Sarajevu)<\/p>\n<p>Autorica: prof.dr. Fahira Fejzi\u0107 \u2013 \u010cengi\u0107<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/amina-vatres-masovni-mediji-ili-izoblicena-ogledala-stvarnosti-povratak-imperativu-etike-odgovornosti\"><strong><\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"110\" valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/enita-custovic-prikaz-knjige-uvod-u-studije-medija-prirucnik-za-predmete-filozofija-medija-i-sociologija-medija\">Enita \u010custovi\u0107 :<\/a><\/span><\/td>\n<td valign=\"top\"><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/enita-custovic-prikaz-knjige-uvod-u-studije-medija-prirucnik-za-predmete-filozofija-medija-i-sociologija-medija\"><strong>Prikaz knjige: Uvod u studije medija, Priru\u010dnik za predmete Filozofija medija i Sociologija medija, autorica Fahire Fejzi\u0107 \u010cengi\u0107 i Halime Sofrad\u017eija<\/strong><\/a><\/span><\/p>\n<div style=\"height: 5px; overflow:hidden;\">&nbsp;<\/div>\n<p><span style=\"color: #000000;\"><a href=\"http:\/\/www.centar-fm.org\/inmediasres\/index.php\/enita-custovic-prikaz-knjige-uvod-u-studije-medija-prirucnik-za-predmete-filozofija-medija-i-sociologija-medija\"><strong><\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"110\">\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<td>\n<div style=\"height: 6px; overflow:hidden;\">\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"height: 6px; overflow:hidden;\">&nbsp;<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; IN MEDIAS RES \u010dasopis filozofije medija &nbsp; Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb) &nbsp; Adresa: Petrovogorska 18, 10000 Zagreb &nbsp; E-mail: inmediasres@centar-fm.org &nbsp; GODINA 12 (2023) broj 22 &nbsp; \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna. &nbsp; &nbsp; ISSN [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":442,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[104],"tags":[792,791,812,796,802,800,798,807,794,162,789,570,684,813,810,797,804,441,601,809,803,788,801,799,793,790,811,795,805,808],"class_list":["post-443","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-22-naslovnica","tag-792","tag-album-earthling","tag-amina-vatres","tag-antonio-batini-i-bernard-spoljaric","tag-brisanje-kao-jezik-uspostave-post-humane-kulture-izbrisano-u-muzeju-suvremene-umjetnosti-zagreb-2022","tag-darko-kovacic","tag-edib-ahmetasevic","tag-enita-custovic","tag-fenomenologija-digitalne-srece","tag-halima-sofradzija","tag-josipa-bubas","tag-kresimir-katusic","tag-leo-katunaric","tag-masovni-mediji-ili-izoblicena-ogledala-stvarnosti-povratak-imperativu-etike-odgovornosti","tag-mihai-bacaran","tag-mogucnosti-i-granice-multimedija-kao-pojmovnog-jezika","tag-o-mojim-estetickim-stajalistima","tag-predrag-finci","tag-prikaz-knjige","tag-prirucnik-za-predmete-filozofija-medija-i-sociologija-medija","tag-prostor-aktivne-imaginacije-intuicije","tag-psihopatija-operativni-sustav-politicke-pozornice-digitalne-kulture","tag-senzorij-mcluhanus","tag-strategijske-dileme-kulturne-politike-sustava-audiovizualne-djelatnosti-u-republici-hrvatskoj","tag-tahani-komarica","tag-telling-lies-naziv-je-preuzet-iz-istoimene-pjesme-david-bowie","tag-the-problematic-of-embodiment-in-online-spectactorship","tag-tijelo-i-metafora-mreze","tag-u-novo-stoljece-bez-kompasa","tag-uvod-u-studije-medija","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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