{"id":461,"date":"2023-09-25T09:51:10","date_gmt":"2023-09-25T09:51:10","guid":{"rendered":"https:\/\/sweet-mcclintock.194-60-87-163.plesk.page\/inmediasres\/2023\/09\/25\/naslovnica-br-23\/"},"modified":"2023-09-25T09:51:10","modified_gmt":"2023-09-25T09:51:10","slug":"naslovnica-br-23","status":"publish","type":"post","link":"https:\/\/centar-fm.org\/inmediasres\/index.php\/naslovnica-br-23\/","title":{"rendered":"naslovnica br.23"},"content":{"rendered":"\n\n\n
\n

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IN MEDIAS RES <\/strong>
\u010dasopis filozofije medija <\/p>\n

 <\/p>\n

Izdava\u010d \u010dasopisa:
Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)<\/p>\n

 <\/p>\n

Adresa: Petrovogorska 18, 10000 Zagreb <\/p>\n

 <\/p>\n

\nE-mail: inmediasres@centar-fm.org<\/p>\n

 <\/p>\n

\nGODINA 12 (2023) broj 23<\/p>\n

 <\/p>\n

\n

\n\"Creative<\/a>
\u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.<\/strong><\/a><\/p>\n<\/td>\n

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\n

ISSN 1848-6304<\/strong><\/p>\n

UDK 316.774:1<\/strong><\/p>\n

Vol 12, br. 23, 2023.<\/strong><\/p>\n

Sadr\u017eaj<\/em><\/strong><\/p>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Predrag Finci:<\/a><\/span><\/span><\/td>\nUmjetnost i utopija<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Sead Ali\u0107:<\/a><\/span><\/td>\nBog<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Darko Kova\u010di\u0107:<\/a><\/span><\/td>\nPrilog interpretaciji Feuerbachove sumnjive odsutnosti<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Senad Nani\u0107:<\/a><\/span><\/td>\nKontroverze u tuma\u010denjima islamske arhitekture i geometrijskog ornamenta<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Dario Vuger:<\/a><\/span><\/td>\nTehnologija kao kultura \u2013 tehnika kao gesta: kritika kiberneti\u010dkog projekta kod Simondona i Heideggera<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Darko Kova\u010di\u0107:<\/a><\/span><\/td>\nPrilog interpretaciji Feuerbachove nesumnjive prisutnosti<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Lidija Duji\u0107 i Dora Mesi\u0107:<\/a><\/span><\/td>\nStereotypical depiction of Roma Population in the Media<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Edib Ahmeta\u0161evi\u0107:<\/a><\/span><\/td>\nMilutin \u010ceki\u0107 upravitelj Narodnog kazali\u0161ta u Zagrebu<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Goran \u0110ur\u0111evi\u0107 i Suzana Marjani\u0107:<\/a><\/span><\/td>\nDe re robotica<\/em>: O posthumanom folkloru, ku\u0107nim ljubimcima-robotima i susretima s radnim robotima<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Amila \u0160ljivo \u2013 Grbo:<\/a><\/span><\/td>\nMediji i prava djeteta<\/strong><\/a><\/span><\/p>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n
 <\/div>\n

II<\/span><\/p>\n\n\n\n\n\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Smiljana \u0160afari\u0107 Branthwaite:<\/a><\/span><\/td>\nVremenska prognoza \u017eenskog tijela<\/p>\n

Kratki eksperimentalni film, video -zvu\u010dna instalacija<\/strong><\/a><\/span><\/p>\n

 <\/div>\n<\/td>\n<\/tr>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n
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III<\/span><\/p>\n\n\n\n\n\n\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
Assoc Prof. Michael Safaric Branthwaite and
\n Bas Korthholt:<\/a><\/span><\/td>\n		\u201cLooking at Kamp Westerbork\u201d
\nInterview and introduction.<\/strong><\/a><\/span>\n<\/td>\n<\/tr>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n
\n
\n<\/div>\n<\/td>\n
\n
\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
 <\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

  IN MEDIAS RES \u010dasopis filozofije medija   Izdava\u010d \u010dasopisa: Centar za filozofiju medija i mediolo\u0161ka istra\u017eivanja (Zagreb)   Adresa: Petrovogorska 18, 10000 Zagreb   E-mail: inmediasres@centar-fm.org   GODINA 12 (2023) broj 23   \u010casopis je otvorenog pristupa, a ovo djelo je dano na kori\u0161tenje pod licencom Creative Commons Imenovanje-Nekomercijalno 4.0 me\u0111unarodna.     ISSN […]<\/p>\n","protected":false},"author":2,"featured_media":460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[108],"tags":[834,825,815,591,800,822,798,821,817,830,824,831,826,833,820,823,441,819,816,121,555,827,832,829,814,828],"class_list":["post-461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-in-medias-res-broj-23-naslovnica","tag-looking-at-kamp-westerbork","tag-amila-sljivo-grbo","tag-bog","tag-dario-vuger","tag-darko-kovacic","tag-de-re-robotica","tag-edib-ahmetasevic","tag-goran-durdevic-i-suzana-marjanic","tag-kontroverze-u-tumacenjima-islamske-arhitekture-i-geometrijskog-ornamenta","tag-kritika-kibernetickog-projekta-kod-simondona-i-heideggera","tag-kucnim-ljubimcima-robotima-i-susretima-s-radnim-robotima","tag-lidija-dujic-i-dora-mesic","tag-mediji-i-prava-djeteta","tag-michael-safaric-branthwaite-and-bas-korthholt","tag-milutin-cekic-upravitelj-narodnog-kazalista-u-zagrebu","tag-o-posthumanom-folkloru","tag-predrag-finci","tag-prilog-interpretaciji-feuerbachove-nesumnjive-prisutnosti","tag-prilog-interpretaciji-feuerbachove-sumnjive-odsutnosti","tag-sead-alic","tag-senad-nanic","tag-smiljana-safaric-branthwaite","tag-stereotypical-depiction-of-roma-population-in-the-media","tag-tehnologija-kao-kultura-tehnika-kao-gesta","tag-umjetnost-i-utopija","tag-vremenska-prognoza-zenskog-tijela","et-has-post-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nnaslovnica br.23 - 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